Tag Archives: me me me

14 Nov

Audible launches the Xenowealth novels in Audiobook with all new narrators

Guys! Guys! Guys!

So I’ve been sitting on this news for… just about forever.

I pointed out on twitter while traveling that Hurricane Fever had been turned into an audiobook, which meant both Arctic Rising and Hurricane Fever were available to be listened to.

But today you can find the whole Xenowealth backlist now in audio, right before the Tor relaunch coming this January!

The Books!

If you don’t want to listen to me blather any more, here we go, click on a cover to go to the Audible page.

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The cover to The Apocalypse Ocean should be updated shortly, in a few days, they’re using the older one.

The Narrators!

Okay, the previous audio versions of these books did not have narrators familiar with the Caribbean dialect. I got… emails about that. I didn’t get to work closely with those versions, alas, but Audible has been very cool about working to get Robin Miles, who does the audiobooks for Nalo Hopkinson and Karen Lord, involved in the casting of the books. Robin suggested and worked with Prentice Onayemi to do the narration of Hurricane Fever, Crystal Rain, and Sly Mongoose. And, in a total dream come true for me, Robin herself narrates Ragamuffin and The Apocalypse Ocean.

This was such an amazing thing. Robin called me many times to go over pronunciations for things in the book. In fact, if you saw me hunched over in a corner with a pad and paper while at Worldcon in London, I was probably sounding out things with her on the phone.

So I’m very, very happy about these audio versions and how hard Robin and Prentice worked on them.

So if you enjoy audiobooks, please check these out!

10 Nov

How to Get Signed and Personalized Tobias S. Buckell Books for the Holidays, 2014

Winter’s coming! Which means we’ll soon be shopping for gifts for each other and doing our best, if we’re too far away from the equator, to keep coldwarm. And there’s nothing better than sitting inside a warm home with a book, right?

At John Scalzi’s excellent suggestion (he’s been doing this a few years), I’m teaming up with Jay & Mary’s Book Center, the closest independent bookseller to me, to offer signed and personalized books. You can get a great gift and support a independent book store, which is a double win.

How to do it?

1. Ring up Jay & Mary’s Book Center, via their 800 number (800-842-1604) and explain that you want to order signed copies of my books. And they’ve asked that everyone please call rather than send email, as they find it easier to keep track that way.

2. Tell them what books you’d like and whether you want it just plainly signed by me, or if you’d like me to sign it to a specific name (great for gifts), and if there’s something specific you’d like me to write in the book. Do remember to make it clear if you’re ordering the book as a gift who’s name the book is being signed to. If it’s unclear to me, I’ll avoid using a specific name.

3. You don’t have to order just my books. For example, John Scalzi will be in to sign books at Jay & Mary. You could get *two* New York Times Bestelling authors signing your books at once.

4. Give Jay & Mary your mailing address and billing info. This is open to US Residents only, alas, due to shipping issues.

5. After that, I’ll be swinging by Jay & Mary’s to sign the books for you!

If you want the books by Christmas, the deadline for that is December 10th in order to make sure they get to you!

Here are the books of mine that are available:

Current Hardcover: Hurricane Fever.

Paperback: Arctic Rising. The Xenowealth novels Crystal Rain, Ragamuffin, and Sly Mongoose may still have some warehouses holding them, the best thing to do is ask and find out. As the trade paperbacks are coming out this January, they may be harder to order this season around.

Anthologies I’m in: Upgraded, Dead Man’s Hand, The Book of Silverberg (you’re free to ask about others, but again I wouldn’t be sure about their availability).

Good luck shopping, and thanks so much for supporting Jay & Mary’s Book Center,. When John took me over to show me the store I was excited to realize there was an independent I could do this with (and pick up a couple books from while I was there). They seem like a great store, and I’m thrilled to be working with them.

Best!

07 Nov

Cult Pop has a new interview with me up

Cult Pop, the Detroit area cable interview show about all things pop culture, has a new episode up with an interview by my and then Cherie Priest as well.

Double bonus awesome!

Cult Pop 61, This episode Jim Hall interviews two authors. First we caught up with science fiction writer Tobias Buckell at GenreCon in Livonia Michigan. They discuss his latest book, “Hurricane Fever”. Since he was from the Caribbean, he wanted to use that area as more than a backdrop to the story. He then reveals that the books in the Xenowealth Series are being re-released in trade paperback versions. Be sure to look for him on Twitter and sign up for his newsletter .

(Via Cult Pop – A Show About Anything Interesting!.)

02 Oct

Check it out: Hurricane Fever Audiobook available now from Audible.com

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Hurricane Fever is now an audiobook. Audible has worked very hard on it and Arctic Rising, the narrators are amazing.

The narrator came via referral from Robin Miles, who has done Nalo Hopkinson and Karen Lord’s books. I think he sounds amazing and am so grateful Robin was able to help us like that.

Even more amazing is this tidbit: Robin Miles and Prentice have been working very closely with me and Audible to record the Xenowealth novels. The attention to detail, the samples I’ve heard, and the books that will be coming out, are amazing. I think Xenowealth fans will be very pleased. And I hope to rope in a whole new generation of listeners (combined with the relaunch of the Xenowealth, which is coming soon!).

I can’t stress how delighted I am to have this team around me for the audiobooks, as the accents and sounds of the books are very important to me.

27 Sep

Beginning my writer residency in Bermuda today

In a blog post a while back I broke the news that I would be the Writer in Residence in Bermuda:

“Last month Dr. Kim Dismont Robinson from the Bermuda Ministry of Community and Cultural Affairs reached out to me to ask if I would come and be a part of the Writer-in-Residence Programme in Bermuda this October. I would be responsible for helping direct some three weeks of workshops for interested writers, with a focus on genre.

It’s always a huge honor when the islands reach back out to me. And for anyone to reach out to ask me to teach or guide up and coming writers.”

(Via I’ve been invited to be writer-in-residence by Bermuda this October | Tobias Buckell.)

You can see the nifty brochure they made.

Since I’ve been living with the news since earlier this year, it’s been something way off on the horizon. Until it wasn’t. And yesterday I was doing laundry and packing and trying to get ready to go down and stay at a hotel and then catch a very early flight.

Bermuda is considered by some a part of the Caribbean. Culturally and historically it has a lot of ties.

But as you can see from this GPS shot on my iPhone, I’m actually out in the middle of the Atlantic and very far north of the Caribbean island chain.

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Landed a few hours ago:

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My contact has settled me into an apartment, I’ve got onto wifi, let everyone know I got here safe, and found that they left me curried chicken and peas-n-rice in the fridge.

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I’m looking forward to meeting the writers I’ll be working with over the next few weeks (I got to read all their application pieces, so it’ll be great to put faces with names), and looking forward to exploring the island. Since the roads are small and the island not so long (20-25 miles, I think), I’ll be loaned a scooter to go exploring the island with. I’m looking forward to getting some time on the beach, as well as visiting some of the historical sites on the island.

15 Sep

Geek’s Guide to the Galaxy interview with me, Ramez Naam, and Paolo Bacigalupi

Ramez Naam, Paolo Bacigalupi, and me all bat climate change back and forth on Geek’s Guide to the Galaxy podcast:

“‘When I started writing [Arctic Rising], I called it science fiction, because I thought the idea of completely eliminating the polar ice cap was science fictional, that’s pretty wild. A lot of the people who criticize climate change are like, ‘Oh, they’re way too pessimistic.’ And I’m like, ‘These guys are way too optimistic.’ IPCC was calling for possibly ice-free summers being like the wildest thing when I started writing. And so I started out with the science fictional scenario being ‘no polar ice cap.’ And by the time the book was in copy edits, IPCC was saying that they were willing to call a completely ice-free winter as well at some point in the human future, as their worst-case scenario. And it had gone from being completely science fictional—and scientists had it off the table—to being in their projections within the time I wrote that novel, and that’s just a year and a half.’”

(Via Leading a Double Life Turned This Woman Into a Best-Selling Author | WIRED.)

22 Aug

Paneling while light, but not white

I just got back from London, and would love to be uploading pictures and talking about two weeks spent in Europe, but I’m catching up on bills and getting into the swing of work. And my kids start Kindergarten. And the dogs need picked up. So I’ll be a little late.

However, a few people have pinged me about a couple of blog posts that reacted to the panel “Imagining Fantasy Lands: The Status Quo Does Not Need Worldbuilding.”

London Worldcon had a fascinating vein of programming with an openness to discussion about diversity, challenging status quo, and world viewpoints. Noticeably more so than past Worldcons. It’s a far cry from the first time I attended a worldcon, and there was just a sole obligatory ‘race in SF’ panel and that was the one (maybe only, outside corridor meet ups) place to find this discussion.

This panel was another one of London Worldcon’s varied pieces of interesting programming. It featured Mary Anne Mohanraj, me, Kate Elliott, Rochita Loenen-Ruiz, Victoria Donnelly, and Ellen Kushner. The panel description goes thusly:

Fantasy world-building sometimes comes under fire for its pedantic attention to detail at the expense of pacing or prose style. Do descriptive passages clog up the narrative needlessly, when reader imagination should be filling in the gaps? Where does that leave the landscapes and cultures that are less well represented in the Western genre: can world-building be a tool in subverting reader expectations that would otherwise default to pseudo-medieval Euro-esque? If fantasy is about defamiliarising the familiar, how important is material culture – buildings, furnishings, tools, the organisation of social and commercial space – in creating a fantasy world?

Two people in the audience were a bit taken aback. Blogger Not By Its Cover (I’m not sure of their name) was upset when I demurred talking about being ‘light but not white’ for the panel and was pressed by panelists to keep on the subject:

He repeatedly said in his response that he doesn’t usually like to talk about his experiences of race, that people outside the Caribbean find his presence in discussions of race disturbing and confusing, that he doesn’t have the energy to deal with that, and that he does not want to be an educator. What enraged me was that, in response to his saying this, a couple of his fellow panelists exclaimed that he absolutely should participate in discussions of race precisely because people found it so problematic and that even if he didn’t wish to participate…

Kate Nepveu also noticed this and commented on it in her panel notes.

So on this panel, I talked about the fact that looking white but not identifying as such due to my bi-racial background complicated discussions. I’m happy to engage in this in some situations and in certain contexts where I known I don’t have an audience that’s still struggling with race 101 level stuff, but for the panel itself I didn’t come prepared and wasn’t expecting to become a focus of the panel. Partly because I came a bit more prepared to talk about what went into creating a fantasy world and how it’s done more deeply, and because I wanted to interrogate and poke at pseudo-medieval constructs.

So, the panel swerved to a bit more of ‘how we authors’ try to deepen work and use our backgrounds to do it. Panels swerve quite often, but I was unprepared for this and tried to demur. I was tired, as I’d just come out of three weeks of travel (promoting Hurricane Fever, teaching a workshop, then a week in Spain, and finally London Worldcon). My ability to switch tracks wasn’t there, I was very exhausted. I was also trying to monitor the panel’s conversational flow and make sure the sole non-writer on the panel, our archeologist Victoria Donnelly, who was making her first appearance at a science fiction panel, was not overrun by us authors and our opinions (even though I was sure Mary Anne wouldn’t do that, I wanted to make sure, as I thought Victoria had a very interesting background we could gain a lot from).

So I demurred, and the panel thought that I might have interested things to say and they…

…keep in mind Mary Anne and Kate and have known me a while…

…pulled a bit at me.

On the panel itself the fact that the audience felt my reticence and responded was not surprising. I didn’t want to talk about the complications of being light not white as a working writer right there because sometimes I have to carefully consider the impacts of my words. And I was tired. So I was worried about making mistakes.

But we muddle our way through. I wasn’t upset with Mary Anne or any of my panelists at the time, just momentarily trying to change the entire set of ‘stories’ and conversations I had arrived with loaded into my mental ready-state.

So why was I reticent?

It’s that if I get up and talk about my struggles, in some cases I can easily negate the even harder struggles others have. Look, I look and ‘read’ white to most people (including non-whites). I therefore complicate discussions about diversity due to living in a culture that takes race as binary. Look, I see the president of the US and see a bi-racial dude from a mixed family background. Most Americans are all like ‘dude’s black.’ And so are a lot of non-white Americans.

So I roll up and talk about how it’s personally annoying when people of all kinds don’t want to recognize me as bi-racial and that’s sometimes problematic. Here are writers struggling far more than I have who come from a legacy and background of far more vicious racism than can be even sometimes explained. So what if I’m left off most lists of diverse SF writers. Boo hoo, right? (And this has mostly been on my mind because I’ve been told by some that I’ve been taken out of articles or such for not being ‘properly diverse’ and just as someone who wants to be part of the tribe of diverse SF/F authors doing amazing things it pains to be excluded on a personal level, but on a larger societal level, shit, injustices against the people of diversity is vastly larger) People read me different than I read myself, I’ve been dealing with that for 35 years. It’s cool. But trying to talk about the complexities of it mean I can inadvertently suppress other narratives, right? I don’t get the *right* to say who gets on a list of diverse writers or how I’m considered at large, I can only keep conversing and trying to add to diversity and talk up good things. So when someone suddenly asks about the complicated nature of how I’m perceived or received in genre, or what my struggle has been, I freeze.

But even as that happens, I also get annoyed with narratives that try to require me to fit into a certain ‘type’ of diversity. It seems the white power structures like immigrant narratives and magical realism from brown-identifying folk. Man, is that ever true, and even allies can fit into this. There’s been a heavy pressure on me to drop doing the action and to write about magical immigrants. I’ve been offered book deals and better money, and it’s funny, I’ve had three editors in the last ten years point blank sketch out the outline of the same novel: immigrant from the Caribbean arrives in the US and does something magically realist.

So, you know, it’s complicated. I’m writing Caribbean Space Opera and have had historically black media *and* white editors tell me they’ll pay attention when I do a magical realist book and I want to keep doing what I’m doing and I’m slowly building this wide audience of people who are digging diverse characters in high octane adventures. Do I want to appear not grateful to make a living doing what I’m doing in public? No. I’m building something, and I’m trying to make sure I spend less time annoyed with people who don’t get what I’m up to and more time sharing excitement with those who totally get it!

So let’s end this positively. I’m all good. The panel was fascinating and was a sign of a fantastic convention (for me at least, I didn’t get to a ton of panels). I was delighted to be up there with amazing minds. And I’m impressed that the audience felt defensive on my part and thank them, but I bear no ill-will or negative feelings towards any of the panelists.

31 Jul

I will be a guest instructor at Clarion West in 2015

So here is the announcement:

“Clarion West is delighted to announce the names of the instructors for the 2015 Six-Week Workshop. Applications will open in December 2014. More information about the instructors and application instructions will be posted in the coming weeks.

Andy Duncan  2015 Clarion West Leslie Howle Fellow
Eileen Gunn
Tobias Buckell
Connie Willis
Nalo Hopkinson
Cory Doctorow  2015 Clarion West Susan C. Petrey Fellow”

(Via News |.)

So first off, what an amazing line up of instructors for 2015. I’ll be keeping some heady company.

One of the things I got to do was meet Clarion West organizers Neile Graham, Tod, and Huw at the Seattle book signing while I was on tour last week. And I have to say, it’s been so hard to keep this secret up until now, even thought I was talking to them the day before the news went out!

So I’m totally honored and amazed that I am now going to be an instructor at Clarion. Having been a new Clarion student myself in 1999, this is one of those ‘coming around full circle’ moments that sometimes happen in life.

It’ll be very, very odd being on the other side of the circle, though. I hope to do well by the students.

07 Jul

The Del Rey UK edition of Hurricane Fever is also out

The Del Rey UK edition of Hurricane Fever launched over the weekend as well. If you’re a reader somewhere in the UK, Ireland, Australia or New Zealand, it should be available!

The Del Rey UK site has buy links and more.

A storm is coming…

When former spy Roo Jones receives an unexpected package from a dead friend, he’s yanked out of a comfortable retirement and is suddenly embroiled in a global conspiracy involving a weapon that could change the face of the world forever.

But as one of the largest hurricanes to hit the Caribbean begins to sweep through the area, Roo just may find that time is running out – not just for himself, but the whole world…

Perfect for fans of action-packed espionage, Hurricane Fever is a kinetic techno-thriller for a new generation.

I’ll be in the UK and will appear in two places to sign. I’ll be at Fantasy in the Court, at Cecil Court in London on August 12th. I’ll also be at London Worldcon (LonCon). I’m hoping to be able to sign some Del Rey UK copies at both locations!

01 Jul

My latest novel, Hurricane Fever, is now for sale at eBook outlets and brick and mortar stores of your choosing

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Today’s the big day. The launch of Hurricane Fever, my latest novel.

Here is a buy link to B&N.

Here is an Indiebound link that takes you to your nearest Indie bookseller.

What is Hurricane Fever about? Here’s the summary:

A storm is coming…. Introducing a pulse-pounding technothriller by the New York Times bestselling author of Arctic Rising

Prudence “Roo” Jones never thought he’d have a family to look after—until suddenly he found himself taking care of his orphaned teenage nephew. Roo, a former Caribbean Intelligence operative, spends his downtime on his catamaran dodging the punishing hurricanes that are the new norm in the Caribbean. Roo enjoys the simple calm of his new life—until an unexpected package from a murdered fellow spy shows up. Suddenly Roo is thrown into the center of the biggest storm of all.

Using his wits—and some of the more violent tricks of his former trade—Roo begins to unravel the mystery that got his friend killed. When a polished and cunning woman claiming to be murdered spy’s sister appears, the two find themselves caught up in a global conspiracy with a weapon that could change the face of the world forever.

In Hurricane Fever, New York Times bestselling author Tobias Buckell (Arctic Rising, Halo: The Cole Protocol) has crafted a kinetic technothriller perfect for fans of action-packed espionage within a smartly drawn geo-political landscape. Roo is an anti–James Bond for a new generation.

Here is a blog post I wrote for Tor.com about doing some of the research in Barbados for the book.

I was born in Grenada, an island further to the west of Barbados, both of us at the southern tip of the sweep of the Caribbean as it curves down toward South America. Only Trinidad and Tobago lie between Venezuela and us. And all that time growing up, I had no idea that a lost, but no less major and fascinating chapter of humanity’s early attempts to get into orbit lay just one island over from me.

Here is my West Coast Tour Schedule:

—-July 25th: Comic Con panel Vengeance and Villians (San Diego, CA)
—-July 26th: Comic Con signing at Tor Booth (San Diego, CA)
—-July 27th: Borderlands Books reading/signing (San Francisco, CA)
—-July 28th: University Books reading/signing (Seattle, WA)
—-July 29th: Mysterious Galaxy reading/signing (San Diego, CA)

In addition, I’ll be attending DetCon in Detroit and London Worldcon.

My full schedule, as always, is in Appearances.

If you’re interested in reviewing it, details are here.

And here’s what it feels like the day before a book launch.

Thank you to all who’ve pre-ordered copies, or helped spread word of mouth, as first week sales do make a big difference to momentum. Thanks to all bookstores carrying it, and thanks to all my readers. Here we go again!