Category Archives: Writing

28 Aug

Check out The Apocalypse Ocean’s amazing, 100% all new cover (plus PDF version)

The Apocalypse Ocean, the fourth book in the Xenowealth series, now features new cover art that puts it closely in line with the other books. It was designed by Jenn Reese of Tiger Bright Studios, and it’s awesome. Check it in it’s full glory:

Buckell TheApocalypseOcean

In addition to the new cover being updated on this website and buy pages, I’ve updated the eBook itself on all the major services with the new cover. I’ve also added a small bit of back matter encouraging people to sign up for my newsletter. Something I should have done.

Here’s the buy page, with all the buy links (except the one I’m not listing in solidarity with Hachette authors). Note, if you buy TAO directly from me via the Gumroad link, there’s also a PDF version you have access to. People have been asking about that, so I’ve finally created a version there.

Links:

The Apocalypse Ocean

The Apocalypse Ocean

Series: The Xenowealth Series, Book 4
Humanity continues to gain control of the Forty Eight Worlds as they deorbit wormholes and join the many worlds and civilizations together. But as they do so, they must deal with the horrors of past injustices as humanity forms new societies out of the wreckage of the old. More info →
18 Jul

My London Worldcon panel schedule

I’m on some amazing panels with amazing human beings at the next Worldcon, in London:

Signing

Friday 11:00 AM

Settling the Alien World

Friday 12:00 – 13:30, Capital Suite 9 (ExCeL)

Here are three star systems, each with a planet potentially habitable by humans. One is Mars-like — probably lifeless, and needs warming and water before we can live there (or we need to adapt ourselves). One is Earth-like, with similar biochemistry even (score one for panspermia theory), but so far as we can tell, no sentient organisms. And one is Earth-like but with early industrial cities. What narratives do we imagine for humans arriving in each system? How might humans be shaped by the life and landscapes they encounter? And how might questions of contact, colonisation or cohabitation be tackled in each scenario?

Imagining Fantasy Lands: The Status Quo Does Not Need Worldbuilding

Friday 16:30 – 18:00, Capital Suite 11 (ExCeL)

Fantasy world-building sometimes comes under fire for its pedantic attention to detail at the expense of pacing or prose style. Do descriptive passages clog up the narrative needlessly, when reader imagination should be filling in the gaps? Where does that leave the landscapes and cultures that are less well represented in the Western genre: can world-building be a tool in subverting reader expectations that would otherwise default to pseudo-medieval Euro-esque? If fantasy is about defamiliarising the familiar, how important is material culture – buildings, furnishings, tools, the organisation of social and commercial space – in creating a fantasy world?

SF: What It Is, What It Could Be

Friday 19:00 – 20:00, Capital Suite 13 (ExCeL)

SF as a genre is both loaded and contested, bringing with it decades of controversies, assumptions, prejudices, and possibilities. What do the genre’s various practitioners and consumers think SF is? Are we speaking the same language, or talking past each other? How do perceptions of SF – in terms of who can write it, who can consume it, and what kinds of stories can find a market – create or reinforce realities? Is ‘core’ SF still about space exploration and colonisation, or is there room for other types of stories? If SF is ‘dying’, as we’re frequently told, what does that mean and in whose interests are the preparations for its funeral?

Reading: Tobias Buckell

Saturday 20:00 – 20:30, London Suite 1 (ExCeL)

Kaffeeklatsch

Monday 12:00 – 13:00, London Suite 4 (ExCeL)

07 Jul

The Del Rey UK edition of Hurricane Fever is also out

The Del Rey UK edition of Hurricane Fever launched over the weekend as well. If you’re a reader somewhere in the UK, Ireland, Australia or New Zealand, it should be available!

The Del Rey UK site has buy links and more.

A storm is coming…

When former spy Roo Jones receives an unexpected package from a dead friend, he’s yanked out of a comfortable retirement and is suddenly embroiled in a global conspiracy involving a weapon that could change the face of the world forever.

But as one of the largest hurricanes to hit the Caribbean begins to sweep through the area, Roo just may find that time is running out – not just for himself, but the whole world…

Perfect for fans of action-packed espionage, Hurricane Fever is a kinetic techno-thriller for a new generation.

I’ll be in the UK and will appear in two places to sign. I’ll be at Fantasy in the Court, at Cecil Court in London on August 12th. I’ll also be at London Worldcon (LonCon). I’m hoping to be able to sign some Del Rey UK copies at both locations!

01 Jul

My latest novel, Hurricane Fever, is now for sale at eBook outlets and brick and mortar stores of your choosing

Hurricanefever

Today’s the big day. The launch of Hurricane Fever, my latest novel.

Here is a buy link to B&N.

Here is an Indiebound link that takes you to your nearest Indie bookseller.

What is Hurricane Fever about? Here’s the summary:

A storm is coming…. Introducing a pulse-pounding technothriller by the New York Times bestselling author of Arctic Rising

Prudence “Roo” Jones never thought he’d have a family to look after—until suddenly he found himself taking care of his orphaned teenage nephew. Roo, a former Caribbean Intelligence operative, spends his downtime on his catamaran dodging the punishing hurricanes that are the new norm in the Caribbean. Roo enjoys the simple calm of his new life—until an unexpected package from a murdered fellow spy shows up. Suddenly Roo is thrown into the center of the biggest storm of all.

Using his wits—and some of the more violent tricks of his former trade—Roo begins to unravel the mystery that got his friend killed. When a polished and cunning woman claiming to be murdered spy’s sister appears, the two find themselves caught up in a global conspiracy with a weapon that could change the face of the world forever.

In Hurricane Fever, New York Times bestselling author Tobias Buckell (Arctic Rising, Halo: The Cole Protocol) has crafted a kinetic technothriller perfect for fans of action-packed espionage within a smartly drawn geo-political landscape. Roo is an anti–James Bond for a new generation.

Here is a blog post I wrote for Tor.com about doing some of the research in Barbados for the book.

I was born in Grenada, an island further to the west of Barbados, both of us at the southern tip of the sweep of the Caribbean as it curves down toward South America. Only Trinidad and Tobago lie between Venezuela and us. And all that time growing up, I had no idea that a lost, but no less major and fascinating chapter of humanity’s early attempts to get into orbit lay just one island over from me.

Here is my West Coast Tour Schedule:

—-July 25th: Comic Con panel Vengeance and Villians (San Diego, CA)
—-July 26th: Comic Con signing at Tor Booth (San Diego, CA)
—-July 27th: Borderlands Books reading/signing (San Francisco, CA)
—-July 28th: University Books reading/signing (Seattle, WA)
—-July 29th: Mysterious Galaxy reading/signing (San Diego, CA)

In addition, I’ll be attending DetCon in Detroit and London Worldcon.

My full schedule, as always, is in Appearances.

If you’re interested in reviewing it, details are here.

And here’s what it feels like the day before a book launch.

Thank you to all who’ve pre-ordered copies, or helped spread word of mouth, as first week sales do make a big difference to momentum. Thanks to all bookstores carrying it, and thanks to all my readers. Here we go again!

30 Jun

My latest book, Hurricane Fever, launches tomorrow, and even though I’ve been through six book launches I’m still nervous as hell

You’d think by now I’d be rather blasé about all this. Why yes, I do have a book coming out tomorrow. Yes, I’ve done this six times already with other novels, nine times if you count launching an anthology I’ve edited and three collections.

By launch number ten I should be ready to throw a little soiree in town where I sip cocktails and entertain people with witty anecdotes. Or whatever it is suave writers who launch books do.

Instead I’m utterly unprepared and feel like the guy at the top of a roller coaster. “Oh shit,” I’m thinking, “Here we go again!” and, “No turning back now!”

I wrote a tight book. As tight as I could. And I’m hoping it doesn’t leave people much room to take a breath before they’ve slingshotted through Prudence Jones’s world of heavy weather, spies, and corporate conspiracy. I dwelled on two islands that have a special place for me, and hope I communicated some of their uniqueness. And I certainly shared my love of boat life.

But the roller coaster feeling comes from all the things I wonder if I should have done instead. Should I have dwelled further on world building? Should I have included more POVs? Will people who loved Anika in Arctic Rising feel short changed that she isn’t in here? Did I… Did I… Did I… did I do enough. I worked on the book as hard as I could, so I know that is behind me. But now, there begin the worries about whether I’ve sent out enough copies. Do enough people know the book exists.

Does it have a chance out in that cruel, cruel cold world?

I perused a listing of all the other science fiction and fantasy books out there that launch this month by Locus. Books that aren’t just vying for reader’s attention, but for the attention of reviews, coverage, and buzz. Great books, some them ones I’m looking forward to reading.

And I wonder, did I do enough? Should I be doing a gazillion blog interviews? Should I get on the street corner with a megaphone and start assailing random passer’s by? Do I buy ads? Do I…

…a thousand what ifs and possibilities, worries that I could have done more the last couple months to help the book, swirl around my hindbrain.

But, I’ll be spending time on tour. I have interviews lined up. I’ve put up the Batsignal telling people I’m here. And, at some point, because this is the 7th (or 10th) time I’m doing this, I also know: it’s time to also get back to work.

Because I’ve sacrificed a month or two on doing *nothing* but promotion to try and help a baby book, and at some point, like a mama deer, I know that damn book has to just get up on its own two wobbly legs and stand. Or it won’t be able to escape the wolves of indifference. Either I wrote a good book and it will generate interest and readers, or it won’t.

Two nights ago I finished writing my 10th novel. I’m going to be spending a good chunk of time while traveling to promote Hurricane Fever doing edits on the YA novel Islands in the Sky. And sometime next month I begin working on the 11th novel.

Because the buzz doesn’t start unless there is a book out there to buzz about. And while no promotion isn’t ideal, I do have to take a deep breath and realize I can’t, all by myself, get people to be excited and spread the word. Either people are invested in the book and things will happen.

Or they won’t, and I work on a book that will.

And that is my state of mind, the night before my 7th novel launches, that I need to be chill. Relax. And trust the book. And also OMG please for the love of all that is holy read my book.

That is all.

24 Jun

A new Xenowealth short story will be in UPGRADED, Neil Clarke’s anthology about cyborgs

NewImage

Neil Clarke has revealed the table of contents for Upgraded, “An original anthology of cyborg stories edited by a cyborg.” What fantastic company I’m keeping. This is looking like it will be quite a vibrant anthology. And for those of you who are fans of the Xenowealth, there’s a new Pepper story in here.

It comes out next month:

Contents:
Introduction by Neil Clarke
Come From Away by Madeline Ashby
No Place to Dream, but a Place to Die by Elizabeth Bear
Married by Helena Bell
A Cold Heart by Tobias S. Buckell
Honeycomb Girls by Erin Cashier
What I’ve Seen With Your Eyes by Jason K. Chapman
Wizard, Cabalist, Ascendant by Seth Dickinson
Seventh Sight by Greg Egan
Negative Space by Amanda Forrest
Mercury in Retrograde by Erin Hoffman
Tongtong’s Summer by Xia Jia
God Decay by Rich Larson
Always the Harvest by Yoon Ha Lee
The Regular by Ken Liu
Coastlines of the Stars by Alex Dally MacFarlane
Fusion by Greg Mellor
Memories and Wire by Mari Ness
Oil of Angles by Chen Qiufan
The Sarcophagus by Robert Reed
Synecdoche Oracles by Benjanun Sriduangkaew
Tender by Rachel Swirsky
The Cumulative Effects of Light Over Time by E. Catherine Tobler
Small Machine by Genevieve Valentine
Collateral by Peter Watts
Taking the Ghost by A.C. Wise
Musée de l’Âme Seule by E. Lily Yu
About the Authors
About the Editor
Cover art by Julie Dillon

24 Jun

Hurricane Fever West Coast Book Tour

Hey, in addition to my having a new book out, I’m going to also be visiting some book stores to talk about the book and sign copies! Tor is sending me out to the West Coast. Here is the schedule:

-Hurricane Fever West Coast Book Tour:
—-July 25th: Comic Con panel Vengeance and Villians (San Diego, CA)
—-July 26th: Comic Con signing at Tor Booth (San Diego, CA)
—-July 27th: Borderlands Books reading/signing (San Francisco, CA)
—-July 28th: University Books reading/signing (Seattle, WA)
—-July 29th: Mysterious Galaxy reading/signing (San Diego, CA)

In addition, I’ll be attending DetCon in Detroit and London Worldcon.

My full schedule, as always, is in Appearances.

23 Jun

Hello reviewers, I have a new book out: Hurricane Fever. Please reach out to me if you don’t yet have a copy

Hello reviewers and commentators and book people.

I’ve tried not to be annoying about this, but I do feel obligated to put the word out that I have a new book coming out.

It’s coming out next Tuesday. July the 1st.

It’s called Hurricane Fever. Here’s the book’s dedicated page.

Here’s the US cover:

Hurricanefever

Here’s the UK cover:

9780091953539 large

Under my press kit are images of me that are high res, and high res book photos. Anything missing? Let me know.

How can you get your hands on the book? Leah Withers at Tor.com is my publicist at Tor (Leah.Withers@tor.com). Alice Hill is my publicist at Del Rey UK (AHill@eburypublishing.co.uk).

The book is also up at Net Galley, if you have a Net Galley account as a reviewer.

If you do not yet have a copy via those means, I have some author’s copies, and some advance review copies, of both UK and US editions (and some author’s copies of the US editions yet to arrive) and I can send you an eBook of the ARC as well.

If you’d like to review Hurricane Fever, then, please fill out this form so I can get your particulars and plan to try and get a copy in your hands!

I’m also happy to talk on podcasts, video, via phone or email, just email me at tobias@tobiasbuckell.com to work out the particulars!

20 Jun

A voice from the Islands: Stephanie Saulter talks about her novel Gemsigns

Gemsigns 12 9 133

Stephanie Saulter‘s first book, Gemsigns, is available in the UK and Commonwealth and in the US from Jo Fletcher Books. It arrived not too long ago on my doorstep, and I asked Stephanie if she’d like to post on this blog because I thought my readers might be interested in her work (see Boing Boing’s excerpt of the novel here).

Stephanie has a Caribbean connection, like me. And has had some very similar experiences visiting the US.

Read on:

***********************

Gemsigns has made it to America, almost thirty years after I did. I’ve been contemplating that fact a lot lately. Although it’s been well received everywhere, I’ve observed with interest the way reactions to the book differ between the United Kingdom, where I’ve lived for over a decade now and where the story is set, and the United States, where I went to university and lived and worked for many years. Above all it’s been a revelation to discover just how much of what I ended up embedding in the novel can be traced in a straight line back to what was embedded into me, when I came to America all those years ago.

One of the things that every incoming freshman in 1988 received was a work of fiction: Toni Morrison’s Beloved, to be precise (it wasn’t my year but I somehow ended up with a copy anyway). It was part of a program to try to encourage a broader range of interests, and in particular an appreciation for the arts and humanities, amongst a resolutely nerdy student body who tended to focus exclusively on their core math, science and engineering subjects. The initiative aimed to develop social and political awareness, alongside scientific and technological expertise. There were concerns about what I remember being called ‘the arrogance of intellect’ – the sense that exceptional academic ability confers a kind of entitlement to do whatever you like, to follow the threads of your curiosity and ambition wherever they may take you, regardless of the impact on others; indeed, the feeling that consequences are for other people.

The university’s response? A recognition of fiction’s ability to provoke the imagination; to unsettle and challenge; to ask difficult questions about the consequences of wealth, and arrogance, and entitlement. To engage instead of harangue, persuade instead of criticise. To speak truth to power.

It was one of the most potent lessons I learned as a college student. It’s stayed with me.

Another lesson soon learned was about race, and appearance, and expectation. I’m from Jamaica, and one of the most common refrains I heard back then (and to this day) was, ‘Oh, I didn’t know there were white Jamaicans!’ – Uttered always by some white person, regarding me as though I were a pleasingly exotic discovery.
‘There are, but I’m not one,’ I would (and still do) reply. ‘My family is mixed race. I just happen to be on the vanilla end.’ This would be greeted, more often than not, by a stunned silence. I had no idea why anyone found it so shocking, until an African-American friend explained things to me.

‘You could pass,’ she said bluntly (and then had to explain what ‘passing’ meant). ‘No one would know if you didn’t tell them. In this country, having even the smallest amount of black ancestry means you are black. Period. You’re choosing that.’

Given that the majority of people reading this post will likely be Americans, I don’t imagine I have to explain the significance of that apparent choice. What was a simple matter of fact for me – like having brown eyes not green – was in the minds of others a hugely impactful decision to reject privilege. It gave me a strangely honorary status. It opened my eyes. Although Jamaica is also a country of great and grave inequalities, it was in America that I really learnt about the politics of race.

That lesson’s stayed with me too.

So, on to the ®Evolution. When I set out to write the story that would end up being Gemsigns, I knew that every aspect of the plot would turn on how people dealt with difference. In my near-future, post-apocalyptic scenario, genetically modified humans – ‘gems’ – have only recently been emancipated from a system euphemistically referred to as indenture but in truth little different from slavery; they’d been the property of the biotech corporations that created them. These pillars of industry have now, essentially, been asset-stripped. The gems have received their liberty, but little else. The norm population is facing an influx of people into their communities whom they’ve mostly only dealt with at arms length, if at all, and have been brought up to think of as other, alien, inferior, and often dangerous.

The result is massive social and economic upheaval, public unrest, and general uncertainty. Emancipation is all well and good, but what form should freedom take? What’s the best course for the gems – to assimilate, slip into the norm population and hide the truth of their origins? For some, whose visible differences amount to no more than their glowing, jewel-coloured hair, this may be possible – though not necessarily agreeable. For others, whose anatomy has been more radically altered or whose minds have been too terribly damaged, it isn’t an option. And what about the norm majority? Public sentiment may have turned against the indenture system, but that doesn’t mean there’s any kind of consensus about what should replace it. Should gems continue to live and work separately? Should integration be encouraged? What about the threat from gems harbouring deep resentments, and possibly even deeper psychosis? Might norm fears not be justified?

It sounds like I must have mapped it out, doesn’t it? Drawn up a chart of the politics and prejudices of the real world, and then ticked them off as I created equivalent scenarios in my invented one. I swear to you I did not do that. It wasn’t until quite late on in the editing process that it even began to dawn on me just how much this tale of a possible future drew on the realities of the present, and the past. And in fact I’ve heard from many readers who’ve enjoyed the book without noticing any parallels with the history of the Caribbean or the American South; or who, if they relate the gem/norm dynamic to contemporary events at all, see connections with local controversies around European immigration or economic inequality.

Of course those parallels are just as accurate as any other, but I suspect it was what bled into my awareness back in the 1980s that led, a generation later, to my imagined tale of the 22nd century. Because what I learned then, and what I know now, is this: We tell stories in order to understand the world. Stories are where we replay past events, and test future possibilities. They give us a way to examine our prejudices, our fears, our hopes and our dreams. They are how we map uncharted territory to the terrain we know, and thereby find a safer path. They’re where we can tell each other, and ourselves, the truths that are sometimes too hard to speak. They are the sleeper agents of the unconscious.

Hello, America. I’m back. I wrote a story. I hope you like it.

§

AUTHOR BIO

Stephanie Saulter writes what she likes to think is literary science fiction. Born in Jamaica, she earned her degree at MIT and spent fifteen years in the USA before moving to the UK in 2003. Her first novel, Gemsigns, was published there in 2013 and released in the US in 2014. The second, Binary, is already out in the UK and will be released in the US next spring. Gemsigns and Binary are the first two books of the ®Evolution trilogy, and are set in a near future London, in the aftermath of a pandemic which required human genetic modification in order to prevent extinction. The novels take a look at the conflicts, compromises and relationships between the different types of human that result.